Barbershop Harmony

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Achieving the ultimate (and elusive) barbershop sound is a thrilling feat that combines several elements of vocal excellence: It starts when a well-crafted 4-part musical arrangement is brought to life by the singers via polished vocal techniques.  The true magic happens when their uniquely-balanced and blended voices come together and create an overtone - a clear, resonant note that seems to "float" above the rest, sending a delightful shiver up the spine of both singer and listener.  It's this audible thrill that exemplifies the art and craft of barbershop harmony, leaving the audience in awe of the sound's pure, resonating power.  

Barbershop harmony is vocal harmony produced by four parts: Tenor, Lead, Baritone, and Bass.  Finding the right part for your voice is the very first step, and you'll be taken through a quick and easy voice placement on your first visit.  In ten to fifteen minutes, we'll have a solid idea of your comfortable singing range and your familiarity with music in general, as well as your interests!  
Tenor is the harmony part sung consistently above the Lead.  The Tenor should have a light, sweet, pure tone that will compliment but not overpower the Lead voice.  
Lead carries the melody and is sung in the range between A below middle C to C above middle C.  This is where the melody line of most modern music is sung.  
Baritone covers approximately the same range as Lead.  This harmony part frequently crosses paths with the Lead, and must constantly adjust their balance to accommodate their position within the chord.  
Bass singers should have a rich, mellow voice and be able to comfortably sing the E-flat below middle C.  Many Altos can sing the Bass line comfortably.  

Competition 2027 - April 8-11

Regional Competition will take place in Phoenix, AZ.  
VHC will be competing on Saturday, April 10, in the AA (midsize) division.  
All members of VHC are expected to be note perfect on both competition songs.